Africa on Class Letters

Africa And the Birth Of Modern Art: A Note On Pablo Picasso’s Les Demoiselles d’Avignon

Tue, 16 Jun 2026 05:27:44 +0000

I have felt my strongest artistic emotions when suddenly confronted with the sublime beauty of sculptures executed by the anonymous artists of Africa. These works of a religious, passionate, and rigorously logical art are the most powerful and most beautiful things the human imagination has ever produced. I hasten to add that, nevertheless, I detest exoticism.
— Pablo Picasso

African Art? Never heard of it.
—Pablo Picasso

Originally posted at the Literary Movements // Manifesto to the Millennium

The Weapon of Theory

Sun, 17 Nov 2024 04:17:05 +0000

Published in 1966. The text speaks for itself – a terrific contextualisation of the National Liberation Movements.

If any of us came to Cuba with doubts in our mind about the solidity, strength, maturity and vitality of the Cuban Revolution, these doubts have been removed by what we have been able to see. Our hearts are now warmed by an unshakeable certainty which gives us courage in the difficult but glorious struggle against the common enemy: no power in the world will be able to destroy this Cuban Revolution, which is creating in the countryside and in the towns not only a new life but also — and even more important — a New Man, fully conscious of his national, continental and international rights and duties. In every field of activity the Cuban people have made major progress during the last seven years, particularly in 1965, Year of Agriculture.

Global Neoliberal Practice: Institutions and Regulation in Africa

Sat, 01 Apr 2023 22:51:40 +0000

This is a chapter out of Graham Harrison’s Book “Neoliberal Africa: The Impact of Global Social Engineering”. Although the book is more of an essay containing fragmentary thoughts, I found this chapter substantial in the sense that it clearly outlined the various institutional avenues in which projects such as neoliberalism cement their ideology.

This chapter considers the global emergence of neoliberalism. It looks at the ways in which neoliberal practice has emerged, expanded and established for itself ‘paradigmatic’ status. In other words, it shows how neoliberalism has shifted from an ambitious and embryonic set of policy interventions to something resembling a framework or set of premisses within which policy is articulated. The practices of neoliberalism have been iterated over such time as to shift the habits, conduct and repertoire of development practice tout court. The layering of large numbers of neoliberal policies has not only led to a progressively more totalising implementation of liberalisation; it has also defined the terms upon which policy and development are thought about and articulated per se. This is, of course, not a completed process (in the last chapter we developed a framework which is anathema to the idea of completed processes, preferring instead a series of practices in place of means–ends distinctions), but it has enabled neoliberal ideas to aspire to ‘meta-development’ status: that is, as the terms upon which development is discussed rather than solely as a predominant model of development. At the level of ideas, this shift or tendency is rather like the analysis of Hay in which neoliberalism moves from normalising to normative (Hay 2004).

Africa on Class Letters

Africa And the Birth Of Modern Art: A Note On Pablo Picasso’s *Les Demoiselles d’Avignon*

The Weapon of Theory

Global Neoliberal Practice: Institutions and Regulation in Africa

Africa And the Birth Of Modern Art: A Note On Pablo Picasso’s Les Demoiselles d’Avignon