<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Ismail Bala on Class Letters</title><link>https://classletters.org/authors/ismail-bala/</link><description>Recent content in Ismail Bala on Class Letters</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 16 Jun 2026 05:27:44 +0000</lastBuildDate><atom:link href="https://classletters.org/authors/ismail-bala/index.xml" rel="self" type="application/rss+xml"/><item><title>Africa And the Birth Of Modern Art: A Note On Pablo Picasso’s *Les Demoiselles d’Avignon*</title><link>https://classletters.org/posts/assorted/picasso_african_art/picasso_african_art/</link><pubDate>Tue, 16 Jun 2026 05:27:44 +0000</pubDate><guid>https://classletters.org/posts/assorted/picasso_african_art/picasso_african_art/</guid><description>&lt;blockquote&gt;
&lt;p&gt;I have felt my strongest artistic emotions when suddenly confronted with the sublime beauty of sculptures executed by the anonymous artists of Africa. These works of a religious, passionate, and rigorously logical art are the most powerful and most beautiful things the human imagination has ever produced. I hasten to add that, nevertheless, I detest exoticism.&lt;br&gt;
&amp;mdash; Pablo Picasso&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;African Art? Never heard of it.&lt;br&gt;
&amp;mdash;Pablo Picasso&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Originally posted at the &lt;a href="https://literarymovementsmanifesto.wordpress.com/text-3/ismail-bala-africa-and-the-birth-of-modern-art-a-note-on-pablo-picasso%E2%80%99s-les-demoiselles-d%E2%80%99avignon/"&gt;Literary Movements // Manifesto to the Millennium&lt;/a&gt;&lt;/p&gt;</description></item></channel></rss>